Caroline sings with Brian Molko on Placebo new Life’s What You Make It EP – a cover of Rowland S Howard’s Autoluminescent – and provides backing vocals on Placebo’s new single Jesus’ Son. Caroline previously sang under the name Severe Loren for Placebo back in 2000 appearing on Special K and Taste in Men on the Black Market Music LP.
I am delighted that my compositional work on stellar resonances and my collaboration with Prof Bill Chaplin of the School of Physics and Astronomy, University of Birmingham feature in the newly published report from AHRC: Understanding the value of arts and culture. The report presents the outcome of the AHRC Cultural Value Project which looked into the question of why the arts and culture matter, and how we capture the effects that they have. The report is available here on the AHRC website.
Poetics of (Outer) Space 0001 is a one-off vinyl record exhibited as part of the group show MK Calling at MK Gallery. Comprising a live recording of the sound installation Poetics of (Outer) Space, the vinyl hangs vertically on the wall of MK Gallery and is the first in a series of unique vinyl discs, each cut from a different section of the composition. MK Calling runs until 6 Sept.
5 Minute Oscillations of the Sun – my sound installation made with data from the BiSON team at University of Birmingham will feature on BBC World Service at 3pm today. Honor Harger, curator of the ArtScience Museum in Singapore will talk about the work and the methods I used to sonify the data on Sounds of Space: The Solar System – an episode of the weekly Discovery Science slot.
Poetics of (Outer) Space, my sound installation in Perrott’s Folly, Edgbaston is reviewed in this months edition of The Wire magazine. Excerpt below from Mark Hancock’s review in The Wire 376 Deep Cover issue:
It seemed appropriate to visit Caroline Devine’s installation for Poetics of (Outer) Space on the day of the solar eclipse and spring equinox: a day loaded with mythology that draws us away from our logical, empirical classifications of everything in the universe and back to our primitive reactions to it. In the darkening of the late morning sky, it was just about possible to imagine our own moon and sun as objects we could scale down and hold in our hands with pinhole cameras and other improvised instruments.
So it is with Devine’s installation at Perrott’s Folly, commissioned by Ikon gallery. Devine has taken data from NASA’s Kepler missions to create individual compositions that occupy each floor of the 29 metre high tower, built in 1758. Each composition can be thought of as a subset of data, and a mapping of the range of frequencies and information gathered by the missions to a more manageable, human scale. The compositions from each star’s data are positioned according to their age, frequency range and the number of exoplanets they host, moving upwards through the tower, which could almost have been custom made for the installation.
…As you ascend through the building, you’re also moving light years through the universe, outwards towards the different solar systems with their exoplanets and changing resonances. Just as musical instruments resonate with frequencies, so can the stars and planets, and it is this resonance that Devine has scaled for the human ear.
…The creation of the compositions and installation within Perrott’s Folly (and the effort required to climb the stairs) feels like a more satisfying response to the glut of data visualisation installations that have sprung up over the past few years. Poetics of (Outer) Space reminds you that it’s still possible to factor in human imagination and physical presence to our understanding of the universe, something that’s missing from so many other big data projects.
Poetics of (Outer) Space is to be sited in the extraordinary Perrott’s Folly in Birmingham – presented as part of the University of Birmingham’s Art & Science Festival in connection with IKON Gallery’s offsite programme. Open daily from midday to 5pm, 18-22 Mar 2015, the sound installation will transform the 18th century tower with a multi-channel composition developed from data collected by the NASA Kepler mission over the past four years.
Poetics of (Outer) Space explores the natural acoustic resonances of stars and the orbits of newly discovered exoplanets. A ‘vertical’ composition rises up through the tower and stars are positioned according to their age, frequency range and the number of exoplanets they host – frequencies from the youngest star can be heard on the first floor of the piece with the top floor hosting a composition derived from data on Kepler-444 – the recently discovered (but ancient) star system that hosts five rocky exoplanets. The work was developed during my artist residency in the School of Physics and Astronomy at University of Birmingham throughout 2014.
Poetics of (Outer) Space is supported by Arts Council England, Ikon Gallery, University of Birmingham and the Leverhulme Trust. Entrance is free. The tower can only be accessed via a steep staircase and only 8 people are allowed in the Folly at a time so there may be a short wait if the site is busy.
I am thrilled that my sound installation, On Air has been shortlisted for a BASCA British Composer Award. The 2014 Awards take place on 2nd Dec in Goldsmiths Hall in London. I am one of three composers shortlisted in the Sonic Art category.
On Air was a large scale outdoor sound installation for The Open University campus – 100 concealed speakers were located in trees and bushes and throughout the walkway and gardens. On Air comprised archive material, interviews, field recordings and musical elements that formed an acoustic layer of thought, idea and enquiry that floated on the air currents throughout the site. It was commissioned by The Open University in 2013 to celebrate 50 years since Harold Wilson’s University of the Air speech.